Tuesday, June 9, 2009

Working with the Body's Crystalline Matrix

Articles - Topics covered in The Sage Age
One of the main catalysts that initiated the research that eventually became The Sage Age was understanding the body as a vibrational system. This included the physical body, the subtle energy bodies, and how both of them reacted to internal and external stimulus.

My father’s entire family were professional musicians so, I was exposed to music at a very early age and encouraged to play with sound. By the time I was a teenager I had already become a multi-instrumentalist and composer. Even though I had some success in the music business, gaining international airplay, my true passion for it was always experimenting with sound. Over the last decade, I’ve become increasingly interested in how we interact with sound through our physical and subtle bodies, as well as through our emotions and mental processes.

Currently, I’m working on the final touches of a class that I wrote last year called Acoustics for Intuitives. I hope to broaden the understanding about the physical properties of sound (acoustics) for intuitive practitioners who use it as a tool for healing and manifesting. I also hope to learn how they use sound and what affects they can conjure with it. The reason for my desire to learn from them is because this class is part of a larger research project I’m working on to build sound devices that are specifically tailored to an individual’s physical body. I’m particularly interested in working with the body’s crystalline matrix, which is primarily comprised of bone and connective tissue. There are two articles featured on the Sage Age site that explain this matrix.

I would like to invite those of you who work with the crystalline matrix of the body and/or sound to leave comments here on the blog and share your wisdom.